https://conanr.com/left-info-panel---desktop 2026-03-30T05:58:41+00:00 always 0.5 https://conanr.com/page-1 2026-03-30T06:07:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg Logo https://freight.cargo.site/t/original/i/E2160605589278444129975355686880/MY_logostacked4x-50.jpg Logo https://freight.cargo.site/t/original/i/Y2160605589186210409606807928800/0293EB89-DC6E-4C3F-82A7-168CB38E830D.jpg Label https://freight.cargo.site/t/original/i/W2160605589259997385901646135264/businesscard_mockup2.jpg Business Card https://freight.cargo.site/t/original/i/Q2160605589204657153680517480416/Artboard-132x-80.jpg Photography by <a href="https://www.kaorugoto.com">Kaoru Goto</a> https://freight.cargo.site/t/original/i/M2160605589241550641827936583648/Artboard-212x-80.jpg Photography by <a href="https://www.instagram.com/mariaheiss_/?hl=en">Maria Heiss</a> https://freight.cargo.site/t/original/i/W2160661319991343810913992294368/90DD0A6B-B492-47EB-9D29-B6412619D713.jpg Labels https://freight.cargo.site/t/original/i/Q2161387352755321254665003581408/Artboard-162x-80.jpg Photography by <a href="https://www.kaorugoto.com">Kaoru Goto</a> https://conanr.com/page-2 2026-03-30T06:07:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg Album Cover https://freight.cargo.site/t/original/i/G2160666858552464965912026791904/ei.jpg Front & Back https://freight.cargo.site/t/original/i/T2160666858866059615165089169376/ei4.jpg Promotional material in context https://freight.cargo.site/t/original/i/Q2160666858829166127017670066144/ei2.jpg Album Cover https://freight.cargo.site/t/original/i/A2160666858847612871091379617760/ei3.jpg Posters https://freight.cargo.site/t/original/i/G2160666858884506359238798720992/mockup1.jpg Promotional material in context https://freight.cargo.site/t/original/i/J2160666858902953103312508272608/mockup2.jpg Promotional material in context https://conanr.com/page-3 2026-03-30T06:07:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg Book Jacket https://freight.cargo.site/t/original/i/Y2160700939281076025782828384224/mockup2.jpg Promotional material in context https://freight.cargo.site/t/original/i/B2160700939041268352824604213216/bookjacketmockup1.jpg Book Jacket https://freight.cargo.site/t/original/i/P2160700939299522769856537935840/poster2.jpg Poster https://freight.cargo.site/t/original/i/Z2160709084016646658540024741856/OOH-MOCKUP-035.jpg Promotional material in context https://freight.cargo.site/t/original/i/S2160709083703052009286962364384/OOH-MOCKUP-014.jpg Three posters in context https://freight.cargo.site/t/original/i/S2160710483275971625704353021920/bookjacket2b4.jpg Front Cover https://conanr.com/page-4 2026-03-30T06:07:04+00:00 always 0.5 https://freight.cargo.site/t/original/i/W860551825957978135147203865180/horizontal.svg Perspective Frame 1 captures the allure of Phyllis, depicting the inability to fully grasp its beauty, as described: “Happy the man who has Phyllis before his eyes each day and who never ceases seeing the things it contains.” The framing focuses on the surface charm that entrances visitors at a glance. https://freight.cargo.site/t/original/i/H2160717383907781695268259741664/frame2.png.jpg Perspective Frame 2, in contrast, reveals the city's hidden decay: “Soon the city fades before your eyes, the rose windows are expunged, the statues on the corbels, the domes.” Collapsing and deteriorating structures symbolize the fading of the initial joy and the oppressive monotony of staying within the city. This decay contrasts sharply with the first frame’s narrow focus, emphasizing the duality of Phyllis’ perception. https://freight.cargo.site/t/original/i/R2160717383667974022310035570656/0d88b3_119ba3a8135143b1ab824a66d5a9f008mv2.png.jpg Perspective Frame 1 captures the allure of Phyllis, depicting the inability to fully grasp its beauty, as described: “Happy the man who has Phyllis before his eyes each day and who never ceases seeing the things it contains.” The framing focuses on the surface charm that entrances visitors at a glance. https://freight.cargo.site/t/original/i/B2160717383926228439341969293280/M3-Isometric.png.jpg The isometric shows the intricacies of the notation to highlight key temporal, directional, atmospheric and chronological elements. Time is reflected through the flowing lines that constrict outwards from the bridge at the bottom continuing outwards towards a multitude of other replicated bridges, reflecting the continuous nature of Phyllis as an ever-lasting facade that allures the eyes of those that are fooled by its glorious appearance eternally. Directionality is symbolised through the arrowhead lines, where structure continues to fade away the further away from the central perspective captured in the first frame. The weight of the atmosphere is shown at every synaptic point from the edge of the bridge to the suspension across the void. https://conanr.com/heading-mobile 2026-03-30T06:02:49+00:00 always 0.5 https://conanr.com/left-info-panel-—-mobile-copy 2026-03-30T06:02:49+00:00 always 0.5